Literature and Terrorism In an age of terror, how does literature help us transcend our reality, lend perspective to our confusion by pulling us into the past and other cultures, and give expression to our anguish and fear through catharsis? They survived it; so can we. In this course we will define terrorism the way the Arabs define it, as any organized violence, by an individual, group or state, legitimate or illegitimate, against a civilian population, either intentional or unintentional. Black Water is both a personal and stylistic meditation on terror as well as an indirect indictment of the terror a powerful political leader has over an innocent civilian. Sometimes real life provides so much terror that the reader hides in literature for escape, seeking fantasy, happy endings, funny, harmless stories that eschew the turmoil of an unlivable situation. No one can take too much of one thing. When New Yorkers were coughing from the smoke and toxins downtown, they did not go to the movies to see sci fi representations of Manhattan blowing up.
Translations from the Katha, Prasna and Chhandogya Upanishads. Puranas The Puranas are post-Vedic texts which typically contain a complete narrative of the history of the Universe from creation to destruction, genealogies of the kings, heroes and demigods, and descriptions of Hindu cosmology and geography. There are 17 or 18 canonical Puranas, divided into three categories, each named after a deity: Brahma, Vishnu and Shiva.
There are also many other works termed Purana, known as ‘Upapuranas. Wilson [ ] A primary text of the Vaishnava branch of Hinduism, and one of the canonical Puranas of the Vishnu category.
JSTOR is a digital library of academic journals, books, and primary sources.
But not everything expressed in words—even when organized and written down—is counted as literature. Those writings that are primarily informative—technical, scholarly, journalistic—would be excluded from the rank of literature by most, though not all, critics. Certain forms of writing, however, are universally regarded as belonging to literature as an art. Individual attempts within these forms are said to succeed if they possess something called artistic merit and to fail if they do not.
The nature of artistic merit is less easy to define than to recognize. The writer need not even pursue it to attain it.
This site has everything that golden singles are looking for. Sam and Jennifer, Madison, WI Getting back into dating after nearly 16 years of marriage was really scary, but I stumbled upon OurTime, and decided to give it a try! Sam messaged me on the site and he was able to really make me laugh. Matchmaking itself has existed for centuries but its modern definition translates into something very different these days.
Their products have evolved a lot over the years, going from the old-fashioned personal ad layouts to the complex enhanced matchmaking systems they are now. The amount of information provided to daters nowadays is enhanced by the modern technology that works alongside it.
English literature, the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature.
Egyptian hieroglyphs with cartouches for the name ” Ramesses II “, from the Luxor Temple , New Kingdom The history of literature follows closely the development of civilization. When defined exclusively as written work, Ancient Egyptian literature ,  along with Sumerian literature , are considered the world’s oldest literatures. It did contain at least one feature of poetry left-justified lines , but the style of writing precludes the detection of certain other identifying features.
This section possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed.
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Tinderitis, or the sensation of having a sore thumb from swiping to approve or reject the faces of people offered up as potential date material. Though Tinder co-founder Justin Mateen declined to specify how many active users the app has attracted, he said the iPhone app is currently being downloaded 10, to 20, times a day. Sixty percent of users check it daily, with many consulting the app five to six times a day, Mateen added.
That, however unkind it may seem, holds real allure. In some ways, it’s even refreshing. Tinder makes the scrutiny even more streamlined than on Facebook and doesn’t try to disguise it — making the app wildly popular and intoxicatingly enjoyable.
Will you write the way into her heart? Welcome to the Literature Club! It’s always been a dream of mine to make something special out of the things I love. Now that you’re a club member, you can help me make that dream come true in this cute game! Every day is full of chit-chat and fun activities with all of my adorable and unique club members: Sayori, the youthful bundle of sunshine who values happiness the most; Natsuki, the deceivingly cute girl who packs an assertive punch; Yuri, the timid and mysterious one who finds comfort in the world of books;
Will you write the way into her heart?
The Old English period Poetry The Angles, Saxons, and Jutes who invaded Britain in the 5th and 6th centuries brought with them the common Germanic metre ; but of their earliest oral poetry, probably used for panegyric , magic, and short narrative, little or none survives. For nearly a century after the conversion of King Aethelberht I of Kent to Christianity about , there is no evidence that the English wrote poetry in their own language.
Caedmon legitimized the native verse form by adapting it to Christian themes. Others, following his example, gave England a body of vernacular poetry unparalleled in Europe before the end of the 1st millennium. Alliterative verse Virtually all Old English poetry is written in a single metre, a four-stress line with a syntactical break, or caesura, between the second and third stresses, and with alliteration linking the two halves of the line; this pattern is occasionally varied by six-stress lines.
The poetry is formulaic, drawing on a common set of stock phrases and phrase patterns, applying standard epithets to various classes of characters, and depicting scenery with such recurring images as the eagle and the wolf, which wait during battles to feast on carrion, and ice and snow, which appear in the landscape to signal sorrow.
Catalan literature is the name conventionally used to refer to literature written in the Catalan focus of this article is not just the literature of Catalonia, but literature written in Catalan from anywhere, so that it includes writers from the Valencian Community, Balearic Islands and other territories where Catalan or its variants are spoken.
Doki Doki Literature Club! At certain points in the game the player is prompted to make decisions which may affect how the story progresses. The game also features a poetry writing mechanic as part of the Literature Club. Each girl in the Literature Club has different word preferences, and will react when the player picks a word that they like.
Additional scenes can be unlocked for each girl if the player writes poems targeted at that girl’s tastes, and chooses the correct dialogue options. Which scenes the player has viewed during their playthrough will determine what ending the story has. At one point in the game, the player is forced to access the game’s files and delete a specific file to progress further.
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See Article History Literature, a body of written works. The name has traditionally been applied to those imaginative works of poetry and prose distinguished by the intentions of their authors and the perceived aesthetic excellence of their execution. Literature may be classified according to a variety of systems, including language, national origin, historical period, genre, and subject matter. For historical treatment of various literatures within geographical regions, see such articles as African literature ; African theatre ; Oceanic literature ; Western literature ; Central Asian arts ; South Asian arts ; and Southeast Asian arts.
Some literatures are treated separately by language, by nation, or by special subject e. Definitions of the word literature tend to be circular.
Sanskrit literature refers to texts composed in Sanskrit language since the 2nd-millennium BCE. Many of the prominent texts are associated with Indian religions, i.e., Hinduism, Buddhism, and Jainism, and were composed in ancient r, others were composed central, East or Southeast Asia and the canon includes works covering secular sciences and the arts.
Notes Abstract This essay surveys the development and current state of electronic literature, from the popularity of hypertext fiction in the ‘s to the present, focusing primarily on hypertext fiction, network fiction, interactive fiction, locative narratives, installation pieces, “codework,” generative art and the Flash poem.
It also discusses the central critical issues raised by electronic literature, pointing out that there is significant overlap with the print tradition. At the same time, the essay argues that the practices, texts, procedures, and processual nature of electronic literature require new critical models and new ways of playing and interpreting the works. Because this essay is the first systematic attempt to survey and summarize the fast-changing field of electronic literature, artists, designers, writers, critics, and other stakeholders may find it useful as an overview, with emphasis on recent creative and critical works.
And you don’t know how to look because you don’t know the names. Katherine Hayles opens the aperture more widely and the angle differs slightly as well. Her electronic literature “primer” is a wide-ranging essay that takes the pulse of the e-literature field at this particular moment, reminding us that “literature” has always been a contested category. While both Hayles and Tabbi agree on many points and cover some of the same territory , there are also some interesting differences between the essays.
Katherine Hayles is largely concerned with defining a field, Joseph Tabbi is concerned more with defining the possibility and conditions of literature’s persistence in digital environments. The authors pitch their respective ‘approaches’ to different audiences; each seems to have a different sense of what needs to be done first — critique digital literary works Hayles or define the conditions for the emergence of possible digital literary works Tabbi. Both strike me as equally important.
This approach will be adopted here in our overview of classical Persian literature, a daunting task in itself given the range and abundance of the material on the one hand, and the need for brevity and conciseness in a survey on the other. In our study of the development of this literature over ten centuries, we will pay special attention to the early formation and origins of different literary genres in Persian works, even though the very notion of literary genres is somewhat arbitrary and a subject of continuing debate and shifting delineation Fowler; Perkins.
Nevertheless the approach is suitable for an overview, for it makes it possible to discuss, however briefly, broader themes and underlying aesthetic assumptions, and to venture beyond a mere recital of dates, titles, and short biographies of major figures of Persian literature. Another major factor in a literary survey is the diachronic dimension: Persian literature lends itself well to this approach, since historical events certainly influenced literary history: The fourteenth century serves as a transitional bridge between the previous and the subsequent periods:
Colophon · The template for the Web edition of this document was marked up by Nick Montfort in valid XHTML with a valid CSS2 style sheet. It is screen-friendly and printer-friendly; a style sheet for printer output is provided which browsers should use automatically when users print the document.
Irish writing is, despite its unique national and linguistic characteristics, inevitably intertwined with English literature, and this relationship has led frequently to the absorption of Irish writers and texts into the canon of English literature. Many of the best-known Irish authors lived and worked for long periods in exile, often in England, and this too has contributed to a sense of instability in the development of a canon defined as uniquely Irish.
But during the 20th century—particularly after the partition and partial independence of Ireland in —22—scholars reclaimed these writers and their works for Ireland. This shift can be seen in the changing use of the term Anglo-Irish literature, which at one time referred to the whole body of Irish writing in English but is now used to describe literature produced by, and usually about, members of the Anglo-Irish Protestant Ascendancy of the 18th century.
Since the 17th century, Irish society has also simultaneously been a colonial one and an independent, national one. That hybridity has been the source of endless cultural tension in Irish writing, which has repeatedly coalesced around four issues: It also marked the acceleration of a long process of Protestant British colonization that would dramatically transform the land, the language, and the religion of Ireland.
The 18th century As the shifting meaning of the term Anglo-Irish literature during the 20th century demonstrates, there is disagreement about how to characterize 18th-century Irish writing in English. There is little disagreement, however, about the dichotomous nature of Irish society at that time. The legacy of the political settlement in Ireland that followed the defeat at Aughrim thus had a strongly sectarian and colonial cast that, when coupled with the grim Irish realities of conflict and poverty, would later trouble the writings of Edmund Burke.
Whig writers such as Burke and Jonathan Swift , who considered the Glorious Revolution a triumph of liberty, also stumbled over the long-standing unequal relationship between the kingdoms of Ireland and Great Britain. Protestant patriots rejected the notion that Ireland was either a dependant kingdom or a colony, but the statute book, the economic and political restrictions placed on Ireland by the British government at London, and the planting of English placemen in Irish jobs instructed them otherwise.
The percentage of land, by county, owned by Roman Catholics i. The average percentage for all of Ireland is indicated after the year identifying each map.
Stories, Poems, and Literature from the Viking Age 13th century Icelandic manuscript Our knowledge of the Viking people comes from several sources. One valuable source is the literature from the period. Norse people loved stories, and some of the stories and poems they themselves wrote, and that their descendants wrote still survive.
Stories about the Norsemen were also written by their contemporaries, including both their trading partners such as the Arabs and the victims of their raids such as the Christian clerics who kept the historical records in Europe. This section describes written records the Viking-age people left behind. With minor variations, this language was spoken throughout the Norse lands during the Viking period.
Sacred Texts of Hinduism; complete translation of the Rig-Veda, transcribed Sanskrit Rig-Veda, Max Mullers’ translation of the Upanishads, the Bhaghavad Gita, and other Hinduism texts.
Realism and naturalism deeply influenced later authors. As for poetry, it closely followed the style of Parnassians and Symbolists. Noucentisme The cultural and political movement known as Noucentisme appeared in the early 20th century, a time of great economic growth in Catalonia , as a mostly conservative reaction against Modernisme and the Avantgarde , both in art and thought. Its Classicism was framed as a “return to beauty. Poetry was its preferred genre, as evidenced by Josep Carner or Carles Riba ‘s masterpieces.
Dictatorship, exile and political transition[ edit ] After what seemed to be a period of hope and rapid growth, the Spanish Civil War and Francisco Franco ‘s regime starting in forced many Catalan leftist intellectuals into exile , as many of them faced political persecution. During the initial years of the dictatorship the use of Catalan in the media became frowned upon.
Publishing in Catalan never ceased completely, though, even though only a few notable authors like Salvador Espriu did publish in this language in the first years of the Franco dictatorship. Those initial political restrictions on publishing in Catalan relaxed over time. By the s publishing in Catalan was no longer extraordinary; by the s it had become possible without restrictions  other than the ideological ones which applied to all of Spain. Some literary awards in Catalan had been established as early as Premi Joanot Martorell.
Yiddish was the language of Ashkenazic Jews, but not Sephardic Jews Yiddish is based on German, Hebrew and other languages Yiddish uses an alphabet based on Hebrew There are standards for transliterating Yiddish Yiddish was criticized as a barrier to assimilation Yiddish developed rich literature, theater and music S’iz shver tsu zayn a Yid It’s tough to be a Jew – Yiddish folk saying [Yiddish] A hybrid of Hebrew and medieval German, Yiddish takes about three-quarters of its vocabulary from German, but borrows words liberally from Hebrew and many other languages from the many lands where Ashkenazic Jews have lived.
It has a grammatical structure all its own, and is written in an alphabet based on Hebrew characters. Scholars and universities classify Yiddish as a Germanic language, though some have questioned that classification. They had their own international language known as Ladino or Judesmo, which is a hybrid of medieval Spanish and Hebrew in much the same way that Yiddish combines German and Hebrew.
Literature and Terrorism In an age of terror, how does literature help us transcend our reality, lend perspective to our confusion by pulling us into the past and other cultures, and give expression to our anguish and fear through catharsis?